Tuesday, May 27, 2008

"Are Friends Electric?" on Ukuleles

Gus and Fin are making it pretty damn inevitable that I'm going to buy a new ukulele--breaking my "no new musical instruments" moratorium.

The oft-told tale of my musical beginnings is that my Grandma Blinco gave me a ukulele for Christmas when I was four or five. I pretty much ignored it for the next ten years, until Punk discovered me. The uke was the nearest instrument. I picked it up and I started trying to write and play songs.

Labels: ,

Thursday, May 22, 2008

Obama's Running Mate

The talk of an Obama/Clinton ticket just won't shut up. Let me break it down as I see it:

All the voters who would never vote for any Democrat
plus
All the voters who would never vote for any African American
plus
All the voters who would never vote for any woman
plus
All the voters who would never vote for Hillary Clinton
equal
President McCain

If you remove just one of these would-never-vote-for categories, I believe that Obama can win against McCain. By choosing a male running mate, Obama would eliminate two of these categories, but that would leave many supporters of Hilary Clinton disgruntled. Choosing a woman would help keep peace among the Democrats, and would also help salvage some of the "swing" voters who like the idea of voting for a woman, but aren't completely comfortable with Obama.

The person on my mind is Janet Napolitano, the governor of Arizona. Would she, could she, run with Obama?

As is customary on the Web, I sought out articles in support of the proposition, and ignored any with a contrary position. I found this article by Ed Tubbs: And the Democratic ticket is . . .

In Tubbs' analysis, McCain must also select a woman as a running mate, or risk confirming that the GOP truly is what many believe: the party of "rich white country-clubbing men." I think I agree with his logic. Tubbs even predicts McCain's choice for veep will be Sarah Palin, governor of Alaska.
The [Democratic] party is suffuse with highly qualified, double-X chromosomed members; representatives, senators, and governors. So it’s got to be just the right one; not too liberal, and one with “executive” experience to balance that which Senator Obama lacks, and from a state and region the party must carry, if they’ve a hope of winning.

Arizona’s Governor Napolitano meets every imaginable criterion, demographic and résumé based. A former no nonsense prosecutor, she’s articulate, mentally sharp and the fact she is not — as is Sarah Palin — a former beauty queen, her presence and responses on the debate stage will bring home to the American electorate and disappointed Hillary supporters precisely why she won every county in a state that no Democrat should have won. Say it again, aloud this time, “every county” in a very red state.
What Tubbs doesn't address is what would become of Arizona, which has no office of Lieutenant Governor. The governorship would fall to Republican Jan Brewer, the current Secretary of State. If there's a reason that Napolitano isn't on Obama's short list, that must be it.

Labels: ,

Sunday, May 11, 2008

Air Ralph

Note: This was originally written longhand while airborne on May 9, 2008.

I've just seen Ralph Nader in person for the third time.

The first time was in college, 1983 or so. He filled an auditorium at Arizona State University. I went with my friend Colleen--part of my effort to make her "more political."

Nader encouraged the college audience to cultivate the habit of being politically engaged. "For one thing," he said, "right now you are at the peak of your idealism."

He was something of a role model--almost a Gandhi type figure. He lived simply and engaged the world with passion, character, and strategic brilliance. He was a hero to my friend Denise, who was inspired by Nader to become a do-gooder lawyer.

The second time I saw Nader was a couple of years later, in 1985. He spoke at Arvada United Methodist Church in Colorado, at the invitation of Reverend Earl Hanna. I don't recall anything from his speech. (It wasn't a sermon, per se--not on a Sunday or during religious services.) However, his appearance served to deepen my admiration for Rev. Hanna.

(If I ever run for public office, Rev. Hanna would be my religious liability: My theological mentor who saw me courting atheism in my early 20's, and did nothing to stop me.)

More than 20 years later, Nader has squandered his legacy in the minds of many. He's a saint to few, and a pariah to many these days. He's running for president again, against the stigma that he was the spoiler who, in 2000, handed the election George W Bush. On the issues, I probably agree with Nader as much as any other candidate in this election--including those who have dropped out. Where I disagree is in the logic of his strategy; the part that concludes "...therefore I must run for president." His career as non-president has been remarkably effective in bringing about positive change in the face of entrenched interests. What--if not ego--would force him to the conclusion again and again that he should be president?

Today, in spite of his candidacy, he still lives simply, avoids extravagances, and still flies standard fare.

I know this because I'm sitting on a Southwest Airlines flight right now, and Nader is sitting eight rows ahead of me, seat 1C. Okay, it's a bulkhead seat, but its certainly not first class.

As I was boarding, the woman in seat 1A was already bending his ear about a particular injustice. Nader was leaning toward her, actively listening. I could have reached out and touched him--or given him a well-deserved thunk on the head, but I let the opportunity go.
Related:

Labels:

Thursday, May 8, 2008

Robert Lighthouse

Whenever I describe Robert Lighthouse's guitar performances, I can't avoid using the word "channeling"--which is a concept I reject. But Lighthouse provides the best evidence I've ever heard, and chips at my skepticism.

Close your eyes and you'll hear Robert Johnson, Muddy Waters, or Jimi Hendrix. Open them, and you'll see a disheveled white guy in a musical trance.



The first time I saw him was at The Aroma Company, a bar in Washington DC known more for following hipster fads than as a live music venue. At the time the fad was cigars, so that puts the date around 1998.

The three-piece band was stuffed into a bay window at one end of the long, narrow space. I was further back in the cavern ignoring the music and talking with friends. Eventually, the background noise caught my attention. It sounded like Jimi Hendrix was playing up front--and I don't mean like the millionth guitarist who has memorized "Purple Haze" note-for-note. Lighthouse was improvising in a state of inspired flow. It was as much like the actual experience of Hendrix for which I could ever hope.

I made a resolution that night to see Lighthouse whenever I could. During my ten years living in the DC area (which are now coming to an official end), I probably saw Lighthouse more than any other performer. I've seen him perform Rock, Folk, and Delta Blues. I've seen him at clubs, coffee houses, festivals, and busking at the Dupont Circle Metro. Once I even saw him sit in with a bluegrass band at Madam's Organ.

Last Wednesday I made a point to catch him at Chief Ike's Mambo Room, and took video embedded above.

Chief Ike's Mambo Room is a strange little bar with surreal murals on the walls. One depicts Dwight Eisenhower in therapy with Sigmund Freud. I wish I'd visited this bar years ago.

I arrived with my head already reverberating from a recent heavy diet of Robert Johnson. The place was nearly empty. Five noisy guys dressed like Mormon missionaries shared a pitcher of beer--indifferent that they were in the presence of musical genius. A cute puppy wandered freely through the bar, stealing from Lighthouse what little attention there was to be had. But Lighthouse never seems to be performing for an audience, or even to be particularly aware of it. He has the affect of an introvert, his eyes focused on nothing in particular, which only adds to the perception that he's channeling.

He has a low voice and an accent that you can't quite place which are also part of effect. (Robert is originally from Sweden, which makes his musical calling seem unlikely or ironic. Or perhaps it just reveals how little I know about Sweden. Nothing about him reminds me of Ikea.)

I bought two copies of his latest CD, Deep Down in the Mud, and got them both autographed. We spoke, and it turns out Robert has connections to Flagstaff, where I now live. He hopes to visit soon. I'll make sure he gets a welcome reception.

Labels: ,

Tuesday, May 6, 2008

King of the Delta Punk Singers

"Who was the first Punk?" asked a reader of Slash Magazine, around 1978.

The columnist responded (I'm paraphrasing here), "I could probably say it was Plato and justify myself, but I'd have to say it was Robert Johnson." And from there he made his case--the rest of which I can't recall.

I was maybe 16 when I read that, and I was intrigued. Blues? Ordinarily you couldn't have paid me to listen to Blues--but now I had it on the authority of Slash that some now-dead black guy was playing Punk in 1936. So I special ordered King of the Delta Blues Singers from Rolling Stone Records.

Rolling Stone Records, incidentally, was a store formerly in Phoenix that played an embarrassingly significant role in my life as a teenager. I went there whenever I was bored or lonely, and just hung out and made the store clerks even less productive (if that were possible). I was still too young to get into clubs when Punk began spreading around the world in 1977. I wanted to see live music more than just about anything. (About half as much as I wanted to have sex. Ever. Please, God.) Instead I had to satisfy myself, so to speak, with buying records and magazines at Rolling Stone.

The record arrived. I picked it up at the store, took it home, and played it. I don't know what I was expecting, but I know I was disappointed. Whatever the Slash columnist thought was Punk about this music, I wasn't hearing it. But it grew on me. I even attempted to mimic some of Johnson's guitar playing. My friend Tommy and I snickered over the famous lyrics, "squeeze my lemon, let the juice run down my leg."

My life as a wanna-be ethnomusicologist had begun.

I recently purchased King of the Delta Blues Singers again, this time on CD. I've been listening to it repeatedly for a couple of days now.

Volumes have been written about Robert Johnson. I don't think I have anything new to add to the over-analysis of his music, legacy, or mythology. Rock musicians such as Eric Clapton and Jimmy Page made Robert Johnson posthumously famous--so famous that at least one punk writer tried to claim him as one of theirs.

If you are unfamiliar with the music, it's at turns beautiful, haunting, and even funny. But it's Blues--not Punk--performed with one guitar and one voice.

This time I think I get it. I'm not expecting Punk now, but thanks anyway, Slash.

Labels: ,